Showing posts with label medieval. Show all posts
Showing posts with label medieval. Show all posts

The Consolation of Philosophy: Boethius Review

The Consolation of Philosophy: Boethius
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That Boethius was the "last of the Romans and the first of the scholastics", as has often been said of him, makes him a most unusual character in the history of thought. Serving as a bridge between two worlds, his writings, infused with the ideas of both Aristotle and Plato -- the two giants of ancient Greek philosophy -- allowed for the transmission of Neoplatonism into the emerging Christian intellectual tradition. Through the figure of Boethius the Latin West came to inherit many of the achievements of Greek learning.
The Consolation of Philosophy, Boethius's magnum opus, was one of the most widely read works in medieval Europe, especially in the twelfth century. No doubt, the dramatic context in which the work was written must have greatly accentuated its popularity. But there is more to the Consolation then simply a dramatic background, and this feature in itself would hardly explain the influence of the work on figures ranging from King Alfred to St.Thomas Aquinas.Boethius, being at once a Christian and a philosopher, was confident that reason and faith were reconcilable, and his entire literary enterprise can be summarised in his own words: fidem rationemque coniunge (show the harmony of reason and faith). An inheritor of the Greek tradition, he held that the world was a KOSMOS -- rationally structured, therefore rationally knowable. What makes the Consolation unique is that although it is a religious text, it doesn't make recourse to revealed religion; in Boethius's case, Christianity. That Boethius sought to answer religious questions without reference to Christianity, relying solely on natural philosophy, caused some later figures to question his religious allegiance prior to his death. But Boethius, as has been pointed out, believed in the harmony of faith and reason; being a Christian-Neoplatonic philosopher, for him to have found solace in philosophy does not imply that he left Christianity. For the truths found in Christianity would be no different than the truths found in philosophy, and whether consolation was found in the religion of Christ or Socrates would make no great difference. In the words of Henry Chadwick, "If the Consolation contains nothing distinctively Christian, it is also relevant that it contains nothing specifically pagan either...[it] is a work written by a Platonist who is also a Christian, but is not a Christian work."
The Consolation begins with Boethius lamenting his plight. Dame Philosophy descends to provide consolance to his bereaved soul, cure him of the extreme melancholy, and rid him of his misfortune, not that of his imprisonment and loss of worldly goods and status, but the spiritual ailment clouding his intellectual vision.
Boethius's troubles, Lady Philosophy tells him, lie within himself. He has been driven into exile by himself. "For if you can remember your true country...'it has one ruler and one king'" and the "oldest law of your true city, [is] that the citizen who has chosen to establish his home there has a sacred right not to be driven away". Dame Philosophy is here referring to his self, the mind. For Boethius, being distracted by external matters, (both the fortunes of his luxurious life and the misfortunes of his political imprisonment), has forgotten his real source of happiness, whose fountain lies within.
In short, the Consolation examines the raison d'etre of philosophy, and its capacity to bring about true and complete happiness -- a happiness which can be acquired by unearthing the hidden treasures which dwell within. Hence philosophy is not an end in itself -- a fruitless game of mental acrobatics -- anymore than a shovel is for one in search of Sophia's treasures.
Boethius expresses the Socratic idea that all men seek the Good, and the Aristotelian idea that this Good is eudaimonia. The attainment of happiness is found through a return of the soul to its primordial state, since "You, too, who are creatures dream of your origin". By the end of the Consolation, Boethius, remembering who he truly is -- a rational being endowed with a purpose, to actualise the good and fulfil his true nature -- recovers from his spiritual amnesia through a discovery of the remedy for his extreme sickness: philosophy.

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Sources in Medieval Culture and History Review

Sources in Medieval Culture and History
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Slocum presents the reader with quite a varied selection of passages from original European medieval writings. Granted, these have often been translated from other languages. But still the student can experience as first hand as possible many now vanished viewpoints.
Some of these are religious. Unsurprising, given the dominance and importance of the Christian church in that era. One example is the granting of land to a monastery. Another excerpt looks at pilgrimages and monastic reform. The latter can be read as early stirrings of what would blossom into the Reformation. The role and influence of the pope can also be appreciated, as a major worldly power in his own right.
On more secular grounds, another passage describes how the system of vassalage operated. No Bill of Rights here! The divine right of a king to rule is clearly taken as self evident.
Given that most students are unlikely to ever read the full texts from which this book is derived, the book is useful in at least exposing students to key historical ideas.


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This reader is appropriate as a main text or a supplementary text for courses on medieval history, medieval literature, art history, and humanities.The wide range of primary sources featured in this book trace the development of medieval civilization from the era of the Roman Emperor Diocletian to the late fourteenth century. The events of these years are viewed from various perspectives, including selections from legal documents, annals, letters, contemporaneous biographies, paintings, theological and philosophical treatises, historical writings, architecture, and literary extracts. Author Kay Slocum has chosen the sources to integrate social and cultural history with more traditional material and, as a result, selections that inform the student about women and marginal groups in the medieval world are included alongside works that treat topics that are more common in the field.

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Music in the Renaissance (2nd Edition) Review

Music in the Renaissance (2nd Edition)
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This book is part of the Prentice Hall series, containing one book for each genre of Western Art Music (Medieval, Baroque, Romantic, etc.) as well as some non-Western music.
The book begins quickly with discussion of John Dunstable and the early English composers. Later chapters cover Dufay (and Binchois), Ockeghem (and Busnois). This encompasses the first quarter of the book--the early Renaissance. Later sections focus on Josquin and his contemporaries, the post-Josquin generation (Willaert, national styles and music of the reformation), and the last chapter covers the greats of the late Renaissance (mainly Palestrina, Lasso, Victoria, and Byrd).
Brown's book is designed to be a good undergraduate/graduate text for music majors, and in this respect it is pretty good. Brown's prose is informative and sufficiently analytical. His bibliographies at the end of each chapter can be helpful for those looking for additional information, and he seems to spend the right proportions of pages to those composers of greatest significance (Josquin, Palestrina, Byrd, etc.).
In terms of thoroughness of the information, Allan Atlas' book (part of the Norton series) is clearly better. It's almost twice as long, and its accompanying anthology allows for more thorough study. It's newer than Brown's book, which means that its scholarship is more up to date (for instance, some information we thought we knew about Josquin's history has turned out to be untrue).
Brown's book is not bad. In fact, I prefer Brown's organizational approach, which focuses on the composers one at a time instead of hopping around from genre to genre like Atlas'.
Both books are written with the music scholar in mind--you will be expected to know some of the church modes and the like--but Brown's text is much more accessible to the casual reader. I enjoyed reading it, and find it to be a suitable text.


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A history of Renaissance music focused on the music itself and the social and institutional contexts that shaped musical genres and performance. This book provides a complete overview of music in the 15th and 16th Centuries. It explains the most significant features of the music and the distinguishing characteristics of Renaissance composers (in Europe and the New World). It includes a large integrated anthology of 94 musical examples, as well as illustrations of musical instruments, notation, and ensembles.

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Chinggis Khan (Library of World Biography Series) Review

Chinggis Khan (Library of World Biography Series)
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Ruth Dunnell's concise, yet thorough illumination of Chinggis Khan's life is illustrated in her book Chinggis Khan: World Conqueror. This biography of Chinggis Khan conveys a refreshing perspective on the great khan's life, ensuring that the reader is aware of the positive and negative sides of Chinggis Khan by the end of the book. Though Chinggis Khan is seen by many as a ruthless, heartless man who killed many innocent people, Dunnell maintains a professional mannerism, careful to convey an objective viewpoint . She describes momentous experiences of Chinggis Khan in great detail to accurately portray his life. Dunnell succeeds in depicting Chinggis Khan as an extremely successful and clever man who did not hesitate to take lives and demolish towns in order to achieve his dreams of conquest.
Dunnell is caught in the tough situation of writing about events involving dozens of foreign people and places possessing names unfamiliar to the typical American reader. She provides an extensive glossary and index, as well as some maps to help the reader adjust to the explosion of new terms. Such guidance allows the reader to submerge herself deeper into the life of Chinggis Khan, as his surroundings can be better understood and visualized more vividly. Dunnell's inclusion of such information allows the reader to fully comprehend the roles of Chinggis Khan and appreciate the people and places he interacted with.
Chinggis Khan was first introduced by Dunnell as Temujin, his birth name. Dunnell includes the anecdote of how Temujin was delivered "clutching a blood clot the size of a knucklebone, an apt birthmark for a child of destiny" (21). By including this, Dunnell provides the reader with a positive first impression of Temujin. Dunnell uses this story as a method of foreshadowing the success that Chinggis Khan ultimately achieved.
Chinggis Khan possessed specific characteristics that made him destined for greatness. Dunell describes him as "proceed[ing] with his usual caution and deception" (43) during his conquests. Such traits are extremely important for maintaining success and power-something that Chinggis Khan perfected. In general, c aution prevents leaders from going overboard in conquests and allows for intelligent and well calculated decisions to be made . Deception is vital for the trickery and the element of surprise necessary for taking over nations. Not only was Chinggis Khan cautious and deceptive, but his peers also thought of him as extremely fierce. As a result of this trait, Temujin's name was changed to Chinggis Khan, given to him based on the translated meaning "The Fierce" (49) - a description which fit him very well.
Though Chinggis Khan was a powerful man, Dunnell brings up the point that the tales told about him were probably exaggerated to make him sound even grander. Occasionally throughout the book, Dunnell conveys from other sources that armies mustered by Chinggis rounded up to be hundreds of thousands of men. She explains that "we should not read the names `thousand' or `ten thousand' as a literal measure of the command's strength; these regiments seldom furnished much more than half of a full complement of troops" (51). Nonetheless, Chinggis Khan undoubtedly developed huge armies, especially for the eleventh and twelfth century . Whether the cited numbers are accurate or not is uncertain, but the fact remains that his armies, regardless of the true size, conquered all.
Dunnell continuously points out that Chinggis Khan was not a perfect man. In fact, he made many mistakes in his life and it took him a very long time to achieve some of his goals. "It took Temujin almost ten more years to eliminate his rivals and win over or suppress their followers to become master of the Mongolian plateau" (37). Temujin desired his title of khan for a very long time before achieving it. This might not be known to the average reader who may have assumed that Chinggis Khan, ultimate conqueror, achieved his desires almost immediately.
One of Chinggis Khan's flawed personality traits was his ungratefulness. Though clearly thinking about oneself while conquering is necessary, it is unfortunate that he brought such a mindset into his personal life. One day, a soldier from an opposing army threw an arrow into Chinggis Khan's neck. Because one of his companions was worried that the arrow was poisoned, he spent hours sucking and spitting out the blood from Chinggis Khan's wound in order to reduce the risk of his death. When the khan awoke, he ungratefully remarked, "What is this? Couldn't you have spat further away?" (40). Rather than appreciate his friend's selfless actions, Chinggis Khan responded with annoyance. This interaction between the two displays one of Chinggis Khan's low moments, allowing the reader to judge for herself the man's true nature.
Dunnell's interpretation of Chinggis Khan's life is so meaningful and well-rounded because she took particular care to include both the good and the bad moments of his life . She did not filter out one or the other, thus allowing the reader to make an informed decision about the true nature of Chinggis Khan.

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Concise and incisive, each interpretive biography in the Library of World Biography Series focuses on aperson whose actions and ideas either significantly influenced world events or whose life reflects important themes and developments in global history.

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